12 New Film Stocks Land in Analogly

Film is having a moment, and the new releases keep coming. Analogly's database just grew to 39 stocks — here's what's new.

Harman goes color

The Mobberley factory that makes Ilford's black-and-white classics has spent the last couple of years learning color in public, and it's been fascinating to watch:

• Phoenix 200 — the first-ever in-house Harman color film. High contrast, strong grain, unpredictable halation; a cult favorite precisely because of its rough edges. (It scans best at home — lab scanners famously fight it.)
• Phoenix II — the refinement: extended dynamic range, more consistent skin tones, finer grain. Probably the most-discussed new color stock of the past year.
• Red — a redscale-style experiment: everything warm, everything glowing.
• Switch Azure 125 — the newest color-flipping novelty. Early days; we're watching for sample rolls like everyone else.

Kentmere Pan 200

The budget B&W line's newest member earned a spot in community best-of polls next to Tri-X and HP5 — serious credibility at its price. We've loaded the official datasheet numbers: development times for ID-11, DD-X, Ilfosol 3, Ilfotec HC, and D-76 (including a +1 push), and its reciprocity curve (Ta = Tm^1.26) for the long-exposure calculator.

Lomography's color-shifters

• LomoChrome Classicolor 200 — the "subtle" LomoChrome: warm, faded, 1970s-family-album color that's genuinely usable for portraits, not just novelty frames.
• LomoChrome Purple — the statement piece: greens go lavender, skies go pink.

Both from Lomography.

Kodak Gold 200 — now in 120

New Kodak color in medium format doesn't happen often. Gold's warm consumer-classic look in 6×6 is a gift to medium-format shooters, and it gets its own entry in the roll log with 120 spool metadata.

The boutique wave

• Dubblefilm Stereo 200 — the redesigned red/blue duotone gradient, now evenly spread across each frame.
• ORWO NC200 — the refined successor to NC400/NC500 from the storied German coater.
• KONO Color 200 and Optik Oldschool Opticolour 200 — motion-picture-based stocks that keep their remjet for that CineStill-style halation glow around highlights.

The fine print

For the color stocks, we only ship data the manufacturers publish — so no invented reciprocity curves. Where a datasheet exists (looking at you, Kentmere), every number in the app traces back to it.

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Track any of these in Analogly's Roll Log, browse specs in the Film Stock Browser, and time your B&W development with the Dev Timer — $9.99 once on the App Store.